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Please (First Book), by Jericho Brown
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Please explores the points in our lives at which love and violence intersect. Drunk on its own rhythms and full of imaginative and often frightening imagery, Please is the album playing in the background of the history and culture that surround African American/male identity and sexuality. Just as radio favorites like Marvin Gaye, Donny Hathaway, and Pink Floyd characterize loss, loneliness, addiction, and denial with their voices, these poems’ chorus of speakers transform moments of intimacy and humor into spontaneous music. In Please, Jericho Brown sings the influence soul culture has on American life with the accuracy of the blues.
- Sales Rank: #249982 in Books
- Brand: Brand: New Issues Poetry Prose
- Published on: 2008-10-01
- Original language: English
- Number of items: 1
- Dimensions: 8.30" h x .40" w x 5.90" l, .40 pounds
- Binding: Paperback
- 69 pages
Features
- Used Book in Good Condition
Review
“In Brown’s Please, there is no quiet build up, there is only booming climax. The poet’s first collection of poems is masterfully presented with unique craft and conviction; Jericho Brown presents true monumental voice in American poetry. Please exemplifies brave and honest writing in a world that shrugs off or pushes away the controversial and the ugly.”—Gina Vaynshteyn, The Rumpus
Review
“Jericho Brown’s debut collection Please resonates like aftershocks on a fault line. The poems here are hauntingly the consequence of lives lived. The silent terror in these poems is the future they seem to inform despite the attempts to integrate the incoherent with the coherent moments of lived experience. Please continually repositions its readers inside the violence of the interruption, the psychic break. To read these poems is to encounter the devastating genius of Jericho Brown: ‘If I had known the location of my own runaway / Breath, I too would have found a blues.’” (Claudia Rankine)
About the Author
JERICHO BROWN worked as speechwriter for the Mayor of New Orleans before receiving his Ph.D. in Creative Writing and Literature from the University of Houston. He also holds an M.F.A. from the University of New Orleans and a B.A. from Dillard University. The recipient of the Whiting Writers Award, the Bunting Fellowship from the Radcliffe Institute at Harvard University, and two travel fellowships to the Krakow Poetry Seminar in Poland, Brown teaches at the University of San Diego where he is the Director of the Cropper Center for Creative Writing. His poems have appeared in The Iowa Review, jubilat, Oxford American, A Public Space, and several other journals and anthologies. Please, his first book, won the 2009 American Book Award.
Most helpful customer reviews
7 of 7 people found the following review helpful.
Poetry & Pain
By Vincent Czyz
I had the pleasure of hearing Jericho Brown read some of his work, including "Prayer of the Backhanded," a poignant composition that parades a series of violent images before the reader to convey the sense of how a father's love has become confused enough to include violence of the most intimate sort--the father's own hand being the weapon of choice--"not the pear tree/ Switch, not the broomstick,/ Nor the closest extension/ Cord, not his braided belt ..." But of course we can infer that at other times all of these objects were also used. A few lines later Brown writes: "[A] hand that took/ No thought of its target/ Like hail from a blind sky." A son is reduced to an object, and a father takes on the indifference of the inanimate world. These lines succeed as well as they do because they are almost dispassionate observation when it would have been easy for Brown to lapse into sentimentality.
While the strength of this poem on the page is considerable, it was that much more resonant when Brown read it aloud. His reading style--characterized by slow, precise enunciation--delineated a rhythm that is, in the absence of the author, left up to the reader to interpret. Brown's quietly intense style lends weight to the suggestion that poetry, an oral art for most of its history, might be better served by the CD than the chapbook. I read "Prayer of the Backhanded" before hearing it, and while both are worthwhile experiences, they are significantly different.
The language of Brown's poetry sometimes follows the rhythms of the street, as in "Autobiography," where we read "Keep talking smart if you want to/ Keep looking at my man/ And I'll cut you a new eyelid." In other poems it is more formal, but it never becomes academic; there are no words that call for a dictionary. The result, because Brown wields his lexicon so deftly, is natural, almost as though these were not poems at all but snatches of thought or long internal monologues.
Violence and injury--both psychological and physical--comprise the book's most common motif. What is perhaps most characteristic of Brown, however, is the way that, so often, love, violence, and hurt form a kind of triangle. "Lush Life," the first poem in Please, has been branded with at least two sides of this triangle: "The woman with the microphone sings to hurt you ... the mic may as well be a leather belt." And once again, a loved one is meting out the punishment.
Music often accompanies these episodes of pain, as in "Lush Life" and "Gulf." "Gulf" moves toward its conclusion with "A song our mothers sang ..." Six poems, in fact, are referred to as "tracks" as on an album. "Track 4: Reflections" is devoted to Diana Ross, while "Track 5: Summertime" is narrated by Janis Joplin, and a familiar image of injury recurs: "The good and perfect gifts/ From above hit like lightning, leave bruises." In this poem we find another repeated image: "I saw some kids whip him with a belt while he/ Repeated, Please." A few lines later: God must love Willie Baker--all that leather and still/ A please that sounds like music." This collection operates essentially the same way: all this pain that sounds like poetry.
0 of 0 people found the following review helpful.
Very powerful, very creative, important work and voice ...
By Ivette Palacin
Very powerful, very creative, important work and voice. I saw Jericho Brown at UMass Amherst and he answered questions after his reading. He noted he builds a poem line by line ("stacks" them). He does not journal on his work because after he would reread his entries, who thought he 'sounded' very depressed. Writing such works, with such a voice, is difficult as it is a difficult subject. It's hard to stay positive; he was a very upbeat, charismatic, young professor. Very engaging. I also purchased The New Testament from which he read one March evening at UMass's The Visiting Writer lecture series. Fabulous - bravo, Jericho!
3 of 3 people found the following review helpful.
Great read!
By Hope
I love how authentic this book of poetry is to read! It will take you through some real and suprising emotions.
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